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History and philosophy of copyright<\/h4>\n- \n
- William Alford\u00a0To Steal a Book is an Elegant Offense<\/em> (Stanford University Press, 1995)<\/li>\n
- Nancy Anderson & David Greenberg “From Substance to Form: Legal Theories of Pashukanis and Edelman” (1983)\u00a0Social Text <\/em>Vol 7 pp69 -84<\/li>\n
- Lawrence Becker “Deserving to Own Intellectual Property” 68\u00a0Chicago Kent Law Review<\/em> 609 (1992-3)<\/li>\n
- Ronald V. Bettig\u00a0Copyrighting Culture: The Political Economy of Intellectual Property <\/em>(Westview, 1996)<\/li>\n
- James Boyle\u00a0Shamans, Software and Spleens<\/em> (Harvard University Press, 1996)<\/li>\n
- Stephen Breyer “The Uneasy Case for Copyright: A Study of Copyright in Books, Photocopies and Computer Programs” Vol 84\u00a0Harvard Law Review<\/em>(1970) p281<\/li>\n
- Lise Buranen (Editor)\u00a0Perspectives on Plagiarism and Intellectual Property in a Postmodern World<\/em>, ( State Uni Of NY, 1999)<\/li>\n
- Rosemary Coombe “Objects of Property and Subjects of Politics: Intellectual Property Laws and Democratic Dialogue” (1991)Texas Law Review<\/em> Vol 69 p1588<\/li>\n
- Rosemary Coombe “Introduction: The Potential for an Interdisciplinary Approach to Intellectual Property Scholarship” (1991) 6\u00a0Intellectual Property Journal<\/em>. 265<\/li>\n
- Peter Drahos\u00a0A Philosphy of Intellectual Property <\/em>(Dartmouth, 1996)<\/li>\n
- Bernard Edelman\u00a0Ownership of the Image. Elements for a Marxist Theory of Law<\/em> trans. Elizabeth Kingdom & Paul Hirst (London: Routledge and Kegan Paul, 1979)<\/li>\n
- John Feather\u00a0Publishing, Piracy and Politics: An Historical Study of Copyright in Britain<\/em> (London: Mansell, 1994)<\/li>\n
- C. Fox\u00a0Locke and the Scriblerians: Identity and Consciousness in Early Eighteenth Century Britain<\/em> (Berkeley: University of California Press, 1988)<\/li>\n
- Barbara Friedman “Note: From Deontology to Dialogue: The Cultural Consequences of Copyright” 13\u00a0Cardozo Arts & Entertainment Law Journal<\/em> 157 (1994)<\/li>\n
- Jane Ginsburg “A Tale of Two Copyrights: Literary Property in Revolutionary France and America”, (1990) 64\u00a0Tulane Law Review<\/em> 991<\/li>\n
- Jane Ginsburg “Creation of Commercial Value: Copyright Protection of Works of Information” (1990) 90\u00a0Columbia Law Review<\/em> 1865<\/li>\n
- Paul Goldstein\u00a0Copyright’s Highway<\/em> (1994)<\/li>\n
- Wendy Gordon “An Inquiry into the Merits of Copyright: The Challenges of Consistency, Consent and Encouragement Theory” (1989) 41\u00a0Stanford Law Review<\/em> p1343<\/li>\n
- Wendy Gordon “Towards a Jurisprudence of benefits: The Norms of Copyright and the Problem of Private Censorship” (1990) 57\u00a0University of Chicago Law Review<\/em> 1009<\/li>\n
- Wendy Gordon “A Property Right in Self Expression” (1993) 102\u00a0Yale Law Review<\/em> 1533<\/li>\n
- Willem Grosheide “Paradigms in Copyright Law” in Sherman, Brad & Strowel, Alain (eds)\u00a0Of Authors and Origins: Essays on Copyright Law<\/em> (Oxford: Clarendon Press, 1994) p203-233<\/li>\n
- Grant Hammond “The Legal Protection of Ideas” (1991) 29 Osgoode Hall Law Journal 93<\/li>\n
- G.W.F. Hegel (1821) Hegel’s Philosophy of Right<\/em> (Allen W. Wood ed, Cambridge University Press 1991)<\/li>\n
- Edward Hettinger “Justifying Intellectual Property” (1989)\u00a0Philosophy and Public Affairs<\/em> Vol 18 No 1 p31<\/li>\n
- Justin Hughes “The Philosophy of Intellectual Property” 77\u00a0The Georgetown Law Journal <\/em>(1988) p287<\/li>\n
- Peter Jaszi “Toward a Theory of Copyright: The Metamorphoses of Authorship” 1991\u00a0Duke Law Journal<\/em> 455<\/li>\n
- Immanuel Kant “Of the Injustice of Counterfeiting Books” 1\u00a0Essays and Treatises on Moral, Political and Various Philosophical Subjects<\/em> 225,229-30 (W Richardson Trans. 1798); also in\u00a0Cambridge Practical Morals<\/em> (Cambridge UP, 1997)<\/li>\n
- Immanuel Kant\u00a0Critique of Judgment<\/em> trans. W Pluhar (Hackett 1987)<\/li>\n
- Immanuel Kant\u00a0Metaphysics of Morals<\/em> trans. Mary Gregor (Cambridge UP, 1991)<\/li>\n
- Benjamin Kaplan\u00a0An Unhurried View of Copyright<\/em> (New York: Columbia University Press, 1967)<\/li>\n
- Linda Lacey “Of Bread and Roses and Copyright” (1989)\u00a0Duke Law Journal<\/em> 1532<\/li>\n
- Lawrence Lessig,\u00a0Code and Other Laws of Cyberspace<\/em>, (Basic Books, 1999)<\/li>\n
- Jessica Litman “Copyright as Myth” (1991) 53\u00a0University of Pittsburgh Law Review<\/em> 235<\/li>\n
- John Locke “Letters No. 1268 & 1288” in\u00a0The Correspondence of John Locke<\/em> edited by E.S. De Beer (Oxford: Clarendon Press, 1979) Vol Four at 38 & 65<\/li>\n
- John Locke “Documents relating to the termination of the Licensing Act, 1695” in\u00a0The Correspondence of John Locke<\/em> edited by E.S. De Beer (Oxford: Clarendon Press, 1979) Vol Five at 786<\/li>\n
- Ian Parsons “Copyright and Society” in\u00a0Essays in the History of Publishing<\/em> (ed) A. Briggs (London: Longman, 1974) p29<\/li>\n
- Lyman Ray Patterson\u00a0Copyright in Historical Perspective<\/em> (Nashville: Vandebilt University Press, 1968)<\/li>\n
- Margaret Radin “Property and Personhood” (1982) 34\u00a0Stanford Law Review<\/em> 957<\/li>\n
- Mark Rose\u00a0Authors and Owners. The invention of copyright<\/em> (Cambridge, Massachusetts. London: Harvard University Press, 1993)<\/li>\n
- Trevor Ross, “Copyright and the Invention of Tradition” (1992)\u00a0Eighteenth Century Studies<\/em> 26:1 pp1-27<\/li>\n
- David Saunders\u00a0Authorship and Copyright<\/em> (London: Routledge, 1992)<\/li>\n
- David Saunders “Dropping the Subject: An Argument for a Positive History of Authorship and the Law of Copyright” in Sherman, Brad & Strowel, Alain (eds)\u00a0Of Authors and Origins: Essays on Copyright Law<\/em> (Oxford: Clarendon Press, 1994) pp93-110<\/li>\n
- Hillel Schwartz\u00a0The Culture of the Copy<\/em> (Zone Books, 1996)<\/li>\n
- Brd Sherman & Lionel Bently,\u00a0The Making of Modern Intellectual Property Law<\/em>, (Cambridge UP, 1999)<\/li>\n
- Brad Sherman & Alain Strowel (eds)\u00a0Of Authors and Origins: Essays on Copyright Law<\/em> (Oxford: Clarendon Press, 1994)<\/li>\n
- Barry Tyerman “The Economic Rationale for Copyright Protection for Published Books: A Reply to Professor Breyer” (1971) 18\u00a0UCLA Law Review<\/em> 1100<\/li>\n
- David Vaver “Some Agnostic Observations on Intellectual Property” (1991) 6\u00a0Intellectual Property Journal<\/em>. 125<\/li>\n
- Jeremy Waldron “From Authors to Copiers” 68\u00a0Chicago Kent Law Review<\/em> 841 (1988)<\/li>\n
- Martha Woodmansee The Author, Art & the Market<\/em> (Columbia University Press 1994)<\/li>\n
- Martha Woodmansee & Peter Jaszi (eds)\u00a0The Construction of Authorship: Textual Appropriation in Law and Literature<\/em> (Durham, London: Duke University Press, 1994)<\/li>\n
- A Yen “Restoring the Natural Law: Copyright as Labor and Possession” (1990) 51Ohio State Law Journal<\/em> 517<\/li>\n<\/ul>\n
Literature and Copyright<\/h4>\n- \n
- M.H. Abrams,\u00a0The Mirror and the Lamp: Romantic Theory and the Critical Tradition <\/em>(New York: W.W. Norton & Co, 1953)<\/li>\n
- Raymond Astbury ” The Renewal of the Licensing Act of 1693 and its Lapse in 1695″\u00a0Library<\/em> (1978) 5th series, Vol 33 p313<\/li>\n
- G.E. Bentley “Copyright Documents in the George Robinson Archive: William Godwin and Others 1713-1820” 35\u00a0Studies in Bibliography<\/em> (1982) p67<\/li>\n
- Victor Bonham-Carter\u00a0Authors By Profession<\/em> Volumes One & Two (London: The Society of Authors, 1978)<\/li>\n
- John Feather\u00a0The Provincial Book Trade in 18th century England <\/em>(Cambridge: Cambridge University Press, 1985)<\/li>\n
- John Feather\u00a0A History of British Publishing<\/em> (London: Croom Helm, 1988)<\/li>\n
- John Feather “The Book Trade in Politics: The Making of the Copyright Act of 1710”\u00a0Publishing History <\/em>8 (1980) p19<\/li>\n
- John Feather “Authors, Publishers and Politicians: The History of Copyright” (1988) 12\u00a0European Intellectual Property Review<\/em> 377<\/li>\n
- John Feather “Publishers and Politicians: The Remaking of the Law of Copyright in Britain 1775-1842 Part I: Legal Deposit and the Battle of the Library Tax”Publishing History<\/em> 24 (1988) p49<\/li>\n
- John Feather “Publishers and Politicians: The Remaking of the Law of Copyright in Britain 1775-1842 Part II: The Rights of Authors”\u00a0Publishing History<\/em> 25 (1989) p45<\/li>\n
- John Feather “From Rights to Copies to Copyright: The Recognition of Author’s Rights in English Law and Practice in the Sixteenth and Seventeenth Centuries”\u00a0Cardozo Arts & Entertainment Law Journal<\/em> Vol 10 No 2 (1992) p455<\/li>\n
- John Feather “John Nouse and his Authors” 34\u00a0Studies in Bibliography<\/em> (1981) p205<\/li>\n
- John Feather “The Publishers and the Pirates. British Copyright Law in Theory and Practice, 1710-1775”\u00a0Publishing History<\/em> 22 (1987) p5<\/li>\n
- Carla Hesse “Enlightenment Epistemology and the Laws of Authorship in Revolutionary France 1777-1793” 30\u00a0Representations<\/em> (1990) p109<\/li>\n
- G. Jackson “From Essence to Accident: Locke and the Language of Poetry in the Eighteenth Century” in\u00a0John Locke: Critical Assessments<\/em>, edited by R. Ashcraft, (London: Routledge, 1991)<\/li>\n
- Alvin Kernan “Chapter 5. Plagiarism and Poetics: Literature as Property and Ethos” in Alvin Kernan\u00a0The Death of Literature<\/em> (Yale University, 1990) pp108-125<\/li>\n
- Joseph Loewenstein “The Script in the Marketplace” 12\u00a0Representations<\/em> (1985) pp101-114<\/li>\n
- Jeffrey Masten “Beaumont and\/or Fletcher: Collaboration and the Interpretation of Renaissance Drama”\u00a0Cardozo Arts & Entertainment Law Journal<\/em>Vol 10 (1992) pp625- 645<\/li>\n
- Jeffrey Masten\u00a0Textual Intercourse: Collaboration, Authorship and Sexualities in Renaissance Drama<\/em> (Cambridge University Press, 1997)<\/li>\n
- Stephen Parks (ed)The Literary Property Debate: Seven Tracts, 1747-1773<\/em> (New York: Garland Publishing, 1974)<\/li>\n
- Stephen Parks (ed)The Literary Property Debate: Six Tracts 1764-1774<\/em>. (New York: Garland Publishing, 1975)<\/li>\n
- Monroe Price and Malla Pollack “The Author in Copyright. Notes for the Literary Critic” 10\u00a0Cardozo Arts & Entertainment Law Journal<\/em> (1992) pp703-720<\/li>\n
- Mark Rose “The Author as Proprietor: Donaldson v. Becket and the Genealogy of Modern Authorship” 23\u00a0Representations<\/em> (1988) p51<\/li>\n
- Mark Rose “The Author in Court: Pope v. Curll (1741)” 10\u00a0Cardozo Arts & Entertainment Law Journal<\/em> (1992) pp475-493<\/li>\n
- David Saunders “The internationalisation of copyright and authorship” in David Saunders\u00a0Authorship and Copyright<\/em> (London: Routledge, 1992) pp167-185<\/li>\n
- Martha Woodmansee “The Genius and the Copyright: economic and legal conditions of the emergence of the ‘author'”\u00a0Eighteenth Century Studies<\/em> 17 (1984) p425<\/li>\n
- Martha Woodmansee “On the Author Effect: Recovering Collectivity”\u00a0Cardozo Arts & Entertainment Law Journal<\/em> Vol 10 No 2 (1992) p279<\/li>\n<\/ul>\n
Art and Copyright<\/h4>\n- \n
- (eds) D McClean & K Schubert,\u00a0Dear Images, Art, Copyright and Culture,<\/em> (Ridinghouse\/IAC, London 2002)<\/li>\n
- Background Briefing,\u00a0
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Stretching the Canvas: Investing in Art in Australia,<\/a> 11\/08\/02<\/li>\n- R Arnold “Towards a Performer’s Copyright: An Analysis of Rickless v United Artists” (1987) 4\u00a0European Intellectual Property Review<\/em> 97<\/li>\n
- Geoffrey Batchen “Manifest Data: The image in the age of electronic reproduction”\u00a0Australian Art Monthly<\/em> N o 96 Dec 1996 pp4-6<\/li>\n
- Mary E. Carter\u00a0Electronic Highway Robbery : An Artist’s Guide to Copyrights in the Digital Era<\/em>, (Peachpit Press, 1996)<\/li>\n
- Wendy Chadwick & Isabelle de Courtivron (eds)\u00a0Significant Others. Creativity and Intimate Partnership<\/em> (Thames & Hudson 1996) pp7-13<\/li>\n
- Alice Beckett “Original Copies” in Alice Beckett\u00a0Forgery and the Art World<\/em> (Richard Cohen Books 1995) pp118-129<\/li>\n
- JSG Boggs “Who Owns This?” 68\u00a0Chicago Kent Law Review<\/em> (1993) 889<\/li>\n
- Kathy Bowrey “Copyright, Photography and Computer Works – the fiction of an original expression”\u00a0University of New South Wales Law Journal<\/em>(1995) 18:2 p278<\/li>\n
- Jane Gaines\u00a0Contested Culture. The Image, The Voice and The Law<\/em> (Chapel Hill: University of North Carolina Press, 1991<\/li>\n
- Marci Hamilton “Four Questions about Art” in 13Cardozo Arts & Entertainment Law Journal<\/em> (1994) p119<\/li>\n
- Anthony Hughes & Erich Ranfft (eds)\u00a0Sculpture and its Reproductions<\/em> (Reaktion Books, 1997)<\/li>\n
- Brian Kiernan “Whose Play is it anyway?”Good Weekend<\/em>. Sydney Morning Herald 6.7.96 pp33-37<\/li>\n
- Sean Wood “Two Left Feet: Government’s Tango with Copyright and Choreography”\u00a0Intellectual Property Journal<\/em> Vol 6 (1991) pp291-312<\/li>\n<\/ul>\n
Music and Copyright<\/h4>\n- \n
- Andy Boon, Steve Greenfield & Guy Osborn “Complete Control? Judicial and Practical Approaches to the Negotiation of Music Contracts”\u00a0International Journal of the Sociology of Law<\/em> (1996) Vol 24 pp89-115<\/li>\n
- Phillip Haywood\u00a0Music at the Borders<\/em> (John Libbey, 1998)<\/li>\n
- Alan Korn “Renaming that Tune: Audio Collage, Parody and Fair Use” (1992) 22Golden Gate University Law Review<\/em> 321<\/li>\n
- Negativland\u00a0Fair Use: The Story of the Letter U and the Numeral 2 <\/em>(Seeland, 1995)<\/li>\n
Future of Music Coalition (FMC)<\/a><\/li>\nHome Recording Rights Coalition<\/a><\/li>\nMagnus-Opus<\/a><\/li>\n<\/ul>\n Broadcasting<\/h4>\n- \n
- Celia Lury\u00a0Cultural Rights. Technology, Legality and Personality <\/em>(Routledge 1993)<\/li>\n
- A Moran,\u00a0Copycat television: Globalisation, Program Formats and Cultural Identity,<\/em> (Uni of Luton Press, 1998)<\/li>\n<\/ul>\n
- \n
- \n New technology issues<\/h4>\n<\/dt>\n<\/dl>\n
- \n
- Sven Birkerts,\u00a0The Gutenberg Elegies<\/em>, (Faber 1994)<\/li>\n
- Anne Branscomb\u00a0Who Owns Information? From Privacy to Public Access<\/em> (Basic Books, 1994)<\/li>\n
- Amanda Chandler “The Changing Definition and Image of Hackers in Popular Discourse”\u00a0International Journal of the Sociology of Law <\/em>(1996) 24 pp229-251<\/li>\n
- Congress of the U.S.,\u00a0Intellectual Property Rights in an Age of Electronics and Information,<\/em> Office of Technology Assessment 1986<\/li>\n
- John Brockman, (ed)\u00a0Digerati<\/em>, (Orion, 1996)<\/li>\n
- Richard Coyne,\u00a0Techno romanticism<\/em>, (MIT,1999)<\/li>\n
- Mark Dery,\u00a0Escape Velocity,<\/em> (Hodder & Stoughton, 1996)<\/li>\n
- Ithiel de Sola Pool,\u00a0Technologies of Freedom,<\/em> (Harvard University Press, 1983)<\/li>\n
- Timothy Druckery, (ed)\u00a0Electronic Culture. Technology and Visual Representation<\/em> (Aperture, 1996)<\/li>\n
- Simson Garkinkel,\u00a0Database Nation<\/em>, (O’Reily, 2000)<\/li>\n
- “The\u00a0
GNU Manifesto<\/a> – GNU Project”<\/li>\n- Donna J. Haraway, Simians, Cyborgs and Women: The Reinvention of Nature,<\/em> (Routledge, 1991)<\/li>\n
- Donna J. Haraway,\u00a0Modest_Witness@Second_Millennium.FemaleMan\u00a9_Meets_OncoMouse \u2122,<\/em> (Routledge, 1997)<\/li>\n
- Colin Harrison (ed) “The Searchable Soul. Privacy in the age of information technology”, Forum,\u00a0Harper’s Magazine,<\/em> January 2000, p57<\/li>\n
- Edward S. Herman & Robert W. McChesney,\u00a0The Global Media,<\/em> (1997, London: Cassell)<\/li>\n
- Richard Holeton,\u00a0Composing Cyberspace : Identity, Community, and Knowledge in the Electronic Age<\/em>, (McGraw Hill, 1997)<\/li>\n
- Brian Kahin & Charles Nesson, (eds)\u00a0Borders in Cyberspace,<\/em> (MIT Press, 1997)<\/li>\n
- The Committee on Intellectual property and the Emerging Information Infrastructure,\u00a0
The Digital Dilemma. Intellectual Property in the Information Age <\/em><\/a>(National Research Council 2000),<\/li>\n- Lawrence Lessig,\u00a0Code and Other Laws of Cyberspace<\/em>, (NY: Basic Books, 1999)<\/li>\n
- Anne Branscomb\u00a0Who Owns Information? From Privacy to Public Access<\/em> (Basic Books, 1994)<\/li>\n
- Sven Birkerts,\u00a0The Gutenberg Elegies<\/em>, (Faber 1994)<\/li>\n
- A Moran,\u00a0Copycat television: Globalisation, Program Formats and Cultural Identity,<\/em> (Uni of Luton Press, 1998)<\/li>\n<\/ul>\n
- Phillip Haywood\u00a0Music at the Borders<\/em> (John Libbey, 1998)<\/li>\n
- Background Briefing,\u00a0
- Raymond Astbury ” The Renewal of the Licensing Act of 1693 and its Lapse in 1695″\u00a0Library<\/em> (1978) 5th series, Vol 33 p313<\/li>\n
- Nancy Anderson & David Greenberg “From Substance to Form: Legal Theories of Pashukanis and Edelman” (1983)\u00a0Social Text <\/em>Vol 7 pp69 -84<\/li>\n